Free PDF , by Robert K. Wittman John Shiffman
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, by Robert K. Wittman John Shiffman
Free PDF , by Robert K. Wittman John Shiffman
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Product details
File Size: 1542 KB
Print Length: 338 pages
Publisher: Broadway Books (May 27, 2010)
Publication Date: June 1, 2010
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B0036S4BRG
Text-to-Speech:
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Amazon Best Sellers Rank:
#132,146 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
So sure, this looked good. Based on reviews, it looked great! And I was getting it through my Vine account, it seemed worth my time. Boy was I wrong.Read the first couple pages. It feels as though it were a 12 year olds first stab at writing. No subject matter can get past bad, corny writing. I'm not a literary critic, don't pretend to be and don't play one on TV. But brother, stick to being a FBI agent and get a ghost writer.Couldn't finish it. And that's saying a lot from me.
Robert Wittman, with aide of John Shiffman, weaves a very detailed memoir that is captivating and incredibly informative. This is a must read for anyone interested the FBI's development and interest in recovering stolen art over the decades.Often times people take jobs in the public sector, spend a lifetime providing service and then retire. Everyone can say they left a mark in their own field and implemented changes that made the job for the next person more fluid, simpler or more efficient, but not everyone can say what Wittman has done. Robert Wittman through good fortune and solid investigative work and 'proper salesmanship' in the field slowly built a career not only for himself but a place for others to hopefully follow.Bob Wittman, AKA Bob Clay, undercover Art Dealer for an 'unnamed client' with a hefty checkbook, spent twenty years chasing down leads, setting up meetings in out-of-the-way darkened places, stings and apprehending a long list of people who ventured into Art Crime. Some were dangerous, others were probably more vacuous and obnoxious than dangerous, but still trouble all the same.The best part of the story that unfolds is learning that at one point the FBI gave Bob the leeway needed to see these cases through, recapture lost art and artifacts and take the lead with other Agents to generate success recovering paintings, lost swords, stolen battleflags and other antiquities. The worst part is learning by the end of the book that, like with all bureaucracies who become obsessed with core issues, the FBI supposedly lost interest in drafting a line item budget in their annual reserve policies for Bob's Art Crime Department. Perhaps if more money had been spent on the West Coast, Marion True would've been shut down years prior over at the Getty Center in Los Angeles … but that's another story.In reading the reviews, yes, I always do … I can see that Bob is unfairly taking a lot of flak for a portion of his writing style. Some readers come away a little turned off by what appears to be an oversized ego, but the truth is that when you're the first person to do something, anything you say is likely to come off that way. While Bob wasn't necessarily the first person to come along and do what he did with the FBI, he was likely the first to make a distinguished career out of it, go undercover and build an interest with FBI so they would create entire Departments which then made it able to frame the FBI in a favourable light for the recoveries. Bob Wittman does write a lot of “I did this†and “I did that†sentences, but having to protect other agents parts in cases is a part of it and the material should be read with such consideration.Some people never see the value in history or in art, but will quickly sign the permission slip to let their kids visit a museum for a field trip outing with their elementary school. Common sense can skip a generation (sometimes two) and that's okay. A good number of people understand the significance of what art and antiquities hold, and what it means about our own past.Bob Wittman's narrative of his case files make for good reading, thoughtful consideration and a warning to ne'er-do-wells who think ripping priceless art off the walls of sleepy half-forgotten museums can be profitable. Nine times out of ten you're likely going to be reselling the works to an undercover agent. So, the real lesson is clear – unless you're going to hang the stuff in your own two story home to look at and tell your neighbors it's a fake, decade after decade – don't even think about it.Five Stars. Many thanks to the author for a lifetime of dedicated service as well.
I don't normally write reviews, but this book is worth a special mention. I like learning new information in an entertaining way. This book fulfills that need. We learn about the history of the artifacts that Mr. Wittman went undercover to try to recover, along with the techniques necessary to catch the bad guys. The story takes us to exotic locales and we meet fascinating characters along the way.I think it would enhance the book if it were illustrated. It would be easy to add pictures of the stolen items that Mr. Wittman tried to recover.If you enjoy art history or true crime stories, I recommend that you read this book!
I liked this book for several reasons.1) the authors didn't just write about the theft of paintings, but also of artifacts such as an American Indian headress and historically important Civil War relics.2) not only did they write about the actual crime, but gave important backstory information about each theft and the players involved.3) while Wittman created, promoted and worked as the FBI's art theft division lead, he relates the struggles to keep it vital and working through his tenure touching on the evolution of the bureaucratic mess it has become.4) the Gardner theft case is the underlying theft case in the story, and the authors provide updates on the years of repeated attempts to locate the paintings to no avail.I encourage anyone interested in reading about art crime to give this book a read.
I heard this guy interviewed on NPR and immediately got the book. The heists and investigations he recounts are riveting; many are familiar from news stories. I was astonished at the pathetic security implemented at major galleries around the world. In many cases the thefts were childishly easy, including one escape on a bicycleHis writing stye is very solidly in the "There-I-was up to my neck...." mould, which gets pretty tedious. One chapter begins with " I reflected on all I had a accomplished in my long career......." so he's not short on ego. He could have benefited from a ghost writer but its still a great read.
Former FBI agent Robert Wittman calls on his professional experience, his personal passions, and his unique cultural upbringing to bring to the reader a well crafted account about how a one time salesman joined the FBI in his 30's to becomes the godfather of the FBI Art Team.Every chapter or so tells of a different case he worked, combining the case itself with his own personal history, in order to bring the reader a very personal, although not overly sentimental, account of the crimes he solved and how he solved them.The nice part is that Wittman is honest, to the point, and not afraid to show his own flaws. In other words, he doesn't write himself as a hero worthy of adoration. Instead, he describes his own perspectives, successes, and failures in a way so humble that the reader can't help but identify with him.It is well written. It is easy to read. It is a great story of one man set against the backdrop of cultural history. A fantastic book.
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